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My heart was so free 2. Orfeo ed Euridice, opera, excerpt from Act II, scene 1 1. Creation, fuging tune 1. Sonata in D Major, K. Lawrence Cummings, harpsichord Carl Philipp Emanuel Bach: Sonata in A Major, H. Richard Rephann, fortepiano Symphony in F Major, No. Giovani di Nuova Cameristica; Daniele Ferrari, conductor Concerto for Harpsichord or Piano and Strings, Op. String Quartet in E-flat Major, Op. Atlanta Symphony; Robert Shaw, conductor Piano Sonata in F Major, K.

Mitsuko Uchida, piano Piano Concerto in A Major, K. Boston Baroque; Itzhak Pearlman Don Giovanni, opera, excerpt: Piano Sonata in C Minor, Op. Rudolf Serkin, piano String Quartet in C-sharp Minor, Op. Tokyo String Quartet Gretchen am Spinnrade, Lied 1. Ruth Ziesak, soprano; Ulrich Eisenlohr, piano Winterreise, song cycle, excerpt: Dichterliebe, song cycle, excerpt: Im wunderschönen Monat Mai 1. Hermann Prey, baritone; Leonard Hokanson, piano Jeanie with the Light Brown Hair, parlor song 1.

Eusebius, Florestan, and Coquette 1. Artur Rubinstein, piano Mazurka in B-flat Major, Op. Vladimir Ashkenazy, piano Nocturne in D-flat Major, Op.

Sandor Falvay, piano Trois études de concert, No. William Wolfram, piano Souvenir de Porto Rico Marche des Gibaros 1. Eugene List, piano Symphonie fantastique, fifth movement: Robert Schumann, Symphony No. String Quintet in C Major, first movement 1. Guarneri Quartet with Leonard Rose, cello Piano Trio in G Minor, Op. And then shall your light break forth 1. Im Wald, partsong from Gartenlieder, Op. Il barbiere di Siviglia, Act II, scene 5: Cavatina, Una voce poco fa 1.

Norma, Act I, scene 4, excerpt: Cantabile, Casta diva 1. Carl Maria von Weber: Der Freischütz, Act II, finale: Tristan und Isolde, excerpts 1. La traviata, Act III, scena and duet 1. Madama Butterfly, excerpt from Act 1 1. Boris Godunov, Coronation scene 1. The Pirates of Penzance, operetta, excerpt: When the foeman bares his steel 1. Piano Quintet in F Minor, Op. Artur Rubinstein, piano; Guarneri Quartet Kindertotenlieder, orchestral song cycle, No.

Silke-Thora Matthies and Christian Köhn, piano duo The Stars and Stripes Forever, March 1. Identificativo Natura monografie Tipo registrazione materiale a stampa Titolo The Composer's point of view: Sommario o abstract A collection of essays by 20th-century American, English, and European composers in which each composer discusses a large choral work or works he has written, along with the principles that guided the composition. Identificativo Natura monografie Tipo registrazione partiture musicali a stampa Titolo Contemporary French: International music company Pubblicazione copyright Descrizione fisica 1 partitura 16 p.

Includes bibliographical references p. Windows or Macintosh Sommario o abstract Created in by Barry Vercoe, Csound is one of the most widely used software sound synthesis systems. Because it is so powerful, mastering Csound can take a good deal of time and effort.

But this long-awaited guide will dramatically straighten the learning curve and enable musicians to take advantage of this rich computer technology available for creating music. Written by the world's leading educators, programmers, sound designers, and composers, this comprehensive guide covers both the basics of Csound and the theoretical and musical concepts necessary to use the program effectively.

The thirty-two tutorial chapters cover: Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life.

Paige Reinterpreting Janacek and Kamila: Kowalke Editore New Haven ; London: Kowalke -- Creating a Public, Addressing a Market: Cook -- Crossing the Cusp: Shull -- Reflections on the Last Years: Autore Palisca, Claude V.

Curatore ; Burkholder, J. Palisca Nota generica Spiral-bound. Vocal and instrumental music. A history of western music, 8th ed. Nota di contenuto V. Ancient to Baroque - v.

Classic to Romantic - v. Twentieth century Sommario o abstract This comprehensive collection of scores illustrates every significant trend and genre of Western music from antiquity to modern times.

Fonte editoriale Allegati copertina. Identificativo Natura monografie Tipo registrazione partiture musicali a stampa Titolo Orchestral excerpts from the symphonic repertoire: International music company Pubblicazione Descrizione fisica v.

International music company Pubblicazione [] Descrizione fisica 10 v. International music company Pubblicazione [] Descrizione fisica v. Orchestral studies from the symphonic repertoire for trumpet.

Identificativo Natura monografie Tipo registrazione materiale a stampa Titolo Orchestration: Routledge Pubblicazione copyright Descrizione fisica p. The early nineteenth century: French and German orchestration I -- Interlude: French and German orchestration II -- The early twentieth century: Klangfarbenmelodie and texture -- Later twentieth-century innovations Sommario o abstract Sezione 1.

Hal Leonard Pubblicazione copyright Descrizione fisica p. Edizione in chiave di violino. Nota di contenuto Features tunes that have been re-arranged and re-transcribed, as well as music by some of the significant songwriters. European pocket edition Editore Milwaukee: Nota di contenuto Hal Leonard proudly presents new "mini" editions of its bestselling Real Books.

Edizione in chiave di basso. This volume is for bass clef instruments. Identificativo Natura monografie Tipo registrazione materiale a stampa Titolo The Real little ultimate fake book: Eb Edition Editore Milwaukee: Melody lines with chord symbols. For piano, organ, guitar and all 'C' instruments.

Includes classified, composer-lyricist, and melodic indexes. High Voice Editore Milwaukee: Hal Leonard Descrizione fisica 2 v.

Contiene la linea vocale, con l'indicazione degli accordi per l'accompagnamemto e i testi, di ca. Nearly essential songs compiled especially for singers. Fonte editoriale Allegati Copertina ; Copertina 1.

Identificativo Natura periodici Tipo registrazione materiale a stampa Titolo Research studies in music education Editore Los Angeles: Sage Publications Pubblicazione Descrizione fisica v. Sage Publications Pubblicazione data seriale corrente Area della numerazione vol. Identificativo Natura monografie Tipo registrazione partiture musicali a stampa Titolo 3: Maple Leaf Rag, piano rag A. Nuages, from Trois Nocturnes 1. New York Philharmonic; Pierre Boulez, conductor Prelude in G Minor, Op.

Sergei Rachmaninov, piano Vers la flamme, poem for piano 1. Un peu vif 1. Aldo Ciccolini, piano Minuet and Trio Peter Hill, piano Act III, scene 3 1. Ulster Orchestra; Takuo Yuasa, conductor The Rite of Spring, excerpts A. Danse des adolescentes B. Conclusion of Part II: Symphony of Psalms, first movement 1.

Kornél Zempléni, piano Music for Strings, Percussion and Celesta, third movement 1. General William Booth Enters into Heaven, song 1. William Sharp, baritone; Stephen Blier, piano I Got Rhythm, from Girl Crazy 1. Ethel Merman, alto Back Water Blues, song 1. Bessie Smith, vocal; James P. Louis Armstrong and His Hot Five: La Création du Monde, Op.

Symphony Mathis der Maler, second movement, Grablegung 1. Alexander Nevsky, cantata, fourth movement: Arise, Ye Russian People 1. Concertgebouw Orchestra; Bernard Haitink, conductor Henry Cowell, piano String Quartet , fourth movement 1. Appalachian Spring, excerpt, with variations on Simple Gifts 1. London Symphony Orchestra; Aaron Copland, conductor Afro-American Symphony, first movement 1. Chicago Sinfonietta; Paul Freeman, conductor Charlie Parker and Dizzy Gillespie: Quartet for the End of Time, first movement 1.

The Monk and His Cat 1. Sonatas and Interludes, excerpt: Yuji Takahashi, prepared piano Music of Changes I, for piano 1. Projection I, for cello 1. Kreuzspiel, first section 1. Le marteau sans maître, movement 6: Sequenza III for female voice 1.

Tony Arnold, soprano Danse macabre Concord String Quartet Philomel, section I 1. Bethany Beardslee, soprano Threnody for the Victims of Hiroshima 1. Music for Prague , for concert band, first movement: Tehillim, Part IV 1.

Short Ride in a Fast Machine 1. Etudes, Book II, excerpt: Pierre-Laurent Aimard, piano Symphony 1, first movement 1. Indianapolis Symphony Orchestra; John Nelson, conductor Sonata for Violin and Violoncello, fifth movement 1.

Seven Tunes Heard in China, for solo cello, No. In the composer's words: Fonte editoriale Allegati Copertina. Associated Music Publishers Pubblicazione copyright Descrizione fisica 11 p. Associated Music Publishers Pubblicazione copyright Descrizione fisica 61 p. In three movements, it is prime example of Adams as the most compelling contemporary master.

The concerto was also choreographed as a ballet by the New York City Ballet. Riduzione violino e pianoforte titolo tradotto supplito dal catalogatore Concerto per violino e orchestra ; riduzione per violino e pianoforte Nota generica Duration: Berkeley, CA, November 1, Sommario o abstract The proposal to write a violin concerto came from the violinist Jorja Fleezanis, a close friend and enthusiastic champion of new music.

Composers who are not string players are seriously challenged when it comes to writing a concerto, and close collaborations are the rule, as it was in this case. For those who have not played a violin or a cello, the physical relation of the turned-over left wrist and grasping fingers defies logic.

Intervals that ought to be simple are awkward, while gestures that seem humanly impossible turn out to be rudimentary. A concerto without a strong melodic statement is hard to imagine. I knew that if I were to compose a violin concerto I would have to solve the issue of melody.

Harmony and rhythm were the driving forces in my music of that decade; melody was almost non-existent. I adopted the classic form of the concerto as a kind of Platonic model, even to the point of placing a brief cadenza for the soloist at the traditional locus near the end of the first movement. The second movement takes a received form, the chaconne, and gently stretches, compresses, and transfigures its contours and modalities while the violin floats like a disembodied spirit around and about the orchestral tissue.

Among them are Gidon Kremer who made the first recording with the London Symphony , Vadim Repin, Robert McDuffie, Midori and, perhaps most astonishingly of all, Leila Josefowicz, who made the piece a personal calling card for years. The Violin Concerto is dedicated to the memory of David Huntley, longtime enthusiast and great champion of my and much other contemporary music. Anastasio, Richard Identificativo Natura monografie Tipo registrazione materiale a stampa Titolo 2: Pubblicazione copyright Descrizione fisica 1 v.

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video femme mure escort girl vitry Ahi, caso acerbo D. Mira, deh mira Orfeo C. Oy comamos y bebamos, villancico 1 Circa ; Nancy Hadden, director International music company Pubblicazione copyright Descrizione fisica 62 p. Cruda Amarilli, madrigal 1.

Tropes on Puer natus: Quem queritis in presepe 1. Closing chorus, In principio omnes, from Ordo virtutum The Virtues , sacred music drama 1. Sequentia; Barbara Thornton and Margriet Tindemans, directors 8. Can vei la lauzeta mover, troubadour song 1.

A chantar, canso troubadour song 1. Mara Kiek; Sinfonye; Stevie Wishart, director Adam de la Halle: Jeu de Robin et de Marion: Walther von der Vogelweide: Palästinalied Nü alrëst lebe ich mir werde , Minnelied 1. The Martin Best Ensemble La Quarte Estampie Royal from Le manuscrit du roi 1. Organa from Musica enchiriadis A. Tu patris sempiternus, in parallel organum at the fifth below B.

Sit gloria domini, in parallel organum at the fifth below, with octave doublings C. Rex caeli, in mixed parallel and oblique organum C Alleluia Justus ut palma, free organum, from Ad organum faciendum 1. Jubilemus, exultemus, Aquitanian organum 1. Dominique Vellard and Emmanuel Bonnardot Viderunt omnes, organum duplum 1. Concentus; Paul Elliott, tenor and director Clausulae on Dominus from Viderunt omnes Dominus, clausulae Nos. Paul Elliott and Wolodymyr Smishkewych, tenors Viderunt omnes, organum quadruplum 1.

Theatre of Voices; Paul Hillier, director Ave virgo virginum, conductus 1. Motets on tenor Dominus A. Sumer is icumen in, rota 1. The Hilliard Ensemble; Paul Hillier, director Kyrie, Messe de Nostre Dame 1. Foy porter, monophonic virelai 1. Gothic Voices; Christopher Page, director Rose, liz, printemps, verdure, rondeau 1. En remirant vo douce pourtraiture, ballade 1. Non al suo amante, madrigal 1.

Ensemble Project Ars Nova Alleluia, A Nëwe Work, carol 1. Quam pulchra es, motet 1. De plus en plus, rondeau 1. The Tallis Scholars; Peter Phillips, director Resvellies vous, ballade 1. Christe redemptor omnium, Ex patre, patris unice, hymn in fauxbourdon style 1. Concentus; Paul Elliott, director Guillaume Du Fay A.

Je ne puis vivre, virelai 1. Kyrie from Missa prolationum 1. The Clerks Group Innsbruck, ich muss dich lassen, Lied 1. La Chapelle Royale; Philippe Herreweghe, director Kyrie and Credo excerpt , Missa Pange lingua 1. Mille regretz, chanson 1. Scholars of London Veni redemptor gentium B. Nun komm der Heiden Heiland C. Psalm , Or sus serviteurs du Seigneur, metrical psalm A. Psalm , Or sus serviteurs du Seigneur B.

Psalm , All people that on earth do dwell Concentus; Paul Elliott, director Sing joyfully unto God, full anthem 1. Giovanni Pierluigi da Palestrina: O, magnum mysterium A. Missa O magnum mysterium: Cum essem parvulus, motet 1. Musica Sacra; Mary Beekman, director Oy comamos y bebamos, villancico 1 Circa ; Nancy Hadden, director Io non compro più speranza, frottola 1.

Paul Elliot, tenor; Nigel North, lute Il bianco e dolce cigno, madrigal 1. The Consort of Musicke; Anthony Rooley, director Solo e pensoso, madrigal 1. Pomerium Musices; Alexander Blachly, director Les Arts Florissants; William Christie, director Tant que vivray, chanson 1. Orlande de Lassus, La nuict froide et sombre, chanson 1. Ensemble Clément Janequin Revecy venir du printans, chanson 1.

The Waverly Consort; Michael Jaffee, director My bonny lass she smileth, ballett 1. As Vesta was, madrigal 1. Flow, my tears, air or lute song 1. Tylman Susato publisher and? From Los seys libros del Delphín, works for vihuela A.

Pavana Lachrymae, pavane variations 1. Elaine Comparone, virginal Canzon septimi toni a 8, ensemble canzona, from Sacrae symphoniae 1. Cruda Amarilli, madrigal 1. Nel pur ardor B. Vi ricorda o boschi ombrosi B. Mira, deh mira Orfeo C. Ahi, caso acerbo D. Orontea, Act II, excerpts A. E che si fa? Scene 17 Excerpt , Aria: Lagrime mie, cantata 1. Ma bergere non légere, air de cour 1.

In ecclesiis, motet sacred concerto 1. Gabrieli Consort; Paul McCreesh, director O quam tu pulchra es, motet 1. Historia de Jephte, oratorio, conclusion 1. Soloists of the Tölzer Knabenchor: Saul, was verfolgst du mich 1.

Gustav Leonhardt, harpsichord Ricercare after the Credo, from Mass for the Madonna, in Fiori musicali 1. Rinaldo Alessandrini, organ Sonata IV per il violino per sonar con due corde, from Op. Armide, tragédie lyrique, excerpts A. Act II, Scene 5: Denis Gaultier, La Coquette virtuose, courante, from La rhétorique des dieux 1. Hopkinson Smith, lute Elisabeth-Claude Jacquet de la Guerre: Geneviève Soly, harpsichord Dido and Aeneas, opera, conclusion A.

Thy hand, Belinda B. Lament Ground Bass Aria: When I am laid in earth C. Los coflades de la estleya, villancico 1.

Ex Cathedra; Jeffrey Skidmore, conductor Clori vezzosa, e bella, cantata, conclusion A. Vivo, vivo penando B. Harald Vogel, organ La Muse victorieuse Richard Rephann, harpsichord Hippolyte et Aricie, opera, excerpt: Act IV, conclusion 1.

Les Musiciens du Louvre; Marc Minkowski, conductor Michael Murray, organ Wolfgang Röbsam, organ Giulio Cesare, opera, excerpt: Act II, scene 2 A. Act II, scene 10 A. The Time at length has come B. Where is the son of Jesse?

Identificativo Natura monografie Tipo registrazione materiale a stampa Titolo Beyond the Soundtrack: University of California Press Pubblicazione data monografia Descrizione fisica p. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic representation of music with unprecedented richness.

The authors cover a broad range of narrative films, from the "silent" era not so silent to the present. Once we think beyond the soundtrack, this volume shows, there is no unheard music in cinema.

Fonte editoriale List of Illustrations vii Introduction. Opera, Aesthetic Violence, and the Imposition of Modernity: How Sound Floats on Land: White Face, Black Noise: Men at the Keyboard: Hess - What's in a song: Sommario o abstract Camille Saint-Saens - perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music. This title analyzes the role he played in various musical societies and his relationship with such composers as Liszt, Massenet, Wagner, and Ravel Fonte editoriale Allegati copertina.

Identificativo Natura monografie Tipo registrazione partiture musicali a stampa Titolo A cappella jazz Broadway: Contemporary A Cappella Publishing Pubblicazione copyright Materiale specifico partitura vocale Descrizione fisica 1 partitura 52 p. Carl Fischer Pubblicazione copyright Descrizione fisica 1 partitura 47 p. Identificativo Natura monografie Tipo registrazione partiture musicali a stampa Titolo 2: Palisca Sommario o abstract This comprehensive collection of scores illustrates every significant trend and genre of Western music from antiquity to modern times.

Highlights of the repertoire include new works from all periods: La serva padrona, intermezzo, excerpt 1. Ah, quanto mi sta male 2. Son imbrogliato io 3. My heart was so free 2. Orfeo ed Euridice, opera, excerpt from Act II, scene 1 1. Creation, fuging tune 1. Sonata in D Major, K. Lawrence Cummings, harpsichord Carl Philipp Emanuel Bach: Sonata in A Major, H.

Richard Rephann, fortepiano Symphony in F Major, No. Giovani di Nuova Cameristica; Daniele Ferrari, conductor Concerto for Harpsichord or Piano and Strings, Op. String Quartet in E-flat Major, Op. Atlanta Symphony; Robert Shaw, conductor Piano Sonata in F Major, K. Mitsuko Uchida, piano Piano Concerto in A Major, K. Boston Baroque; Itzhak Pearlman Don Giovanni, opera, excerpt: Piano Sonata in C Minor, Op.

Rudolf Serkin, piano String Quartet in C-sharp Minor, Op. Tokyo String Quartet Gretchen am Spinnrade, Lied 1. Ruth Ziesak, soprano; Ulrich Eisenlohr, piano Winterreise, song cycle, excerpt: Dichterliebe, song cycle, excerpt: Im wunderschönen Monat Mai 1. Hermann Prey, baritone; Leonard Hokanson, piano Jeanie with the Light Brown Hair, parlor song 1.

Eusebius, Florestan, and Coquette 1. Artur Rubinstein, piano Mazurka in B-flat Major, Op. Vladimir Ashkenazy, piano Nocturne in D-flat Major, Op. Sandor Falvay, piano Trois études de concert, No. William Wolfram, piano Souvenir de Porto Rico Marche des Gibaros 1. Eugene List, piano Symphonie fantastique, fifth movement: Robert Schumann, Symphony No. String Quintet in C Major, first movement 1. Guarneri Quartet with Leonard Rose, cello Piano Trio in G Minor, Op. And then shall your light break forth 1.

Im Wald, partsong from Gartenlieder, Op. Il barbiere di Siviglia, Act II, scene 5: Cavatina, Una voce poco fa 1. Norma, Act I, scene 4, excerpt: Cantabile, Casta diva 1. Carl Maria von Weber: Der Freischütz, Act II, finale: Tristan und Isolde, excerpts 1. La traviata, Act III, scena and duet 1. Madama Butterfly, excerpt from Act 1 1. Boris Godunov, Coronation scene 1. The Pirates of Penzance, operetta, excerpt: When the foeman bares his steel 1. Piano Quintet in F Minor, Op. Artur Rubinstein, piano; Guarneri Quartet Kindertotenlieder, orchestral song cycle, No.

Silke-Thora Matthies and Christian Köhn, piano duo The Stars and Stripes Forever, March 1. Identificativo Natura monografie Tipo registrazione materiale a stampa Titolo The Composer's point of view: Sommario o abstract A collection of essays by 20th-century American, English, and European composers in which each composer discusses a large choral work or works he has written, along with the principles that guided the composition.

Identificativo Natura monografie Tipo registrazione partiture musicali a stampa Titolo Contemporary French: International music company Pubblicazione copyright Descrizione fisica 1 partitura 16 p. Includes bibliographical references p. Windows or Macintosh Sommario o abstract Created in by Barry Vercoe, Csound is one of the most widely used software sound synthesis systems.

Because it is so powerful, mastering Csound can take a good deal of time and effort. But this long-awaited guide will dramatically straighten the learning curve and enable musicians to take advantage of this rich computer technology available for creating music.

Written by the world's leading educators, programmers, sound designers, and composers, this comprehensive guide covers both the basics of Csound and the theoretical and musical concepts necessary to use the program effectively. The thirty-two tutorial chapters cover: Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe.

These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life.

Paige Reinterpreting Janacek and Kamila: Kowalke Editore New Haven ; London: Kowalke -- Creating a Public, Addressing a Market: Cook -- Crossing the Cusp: Shull -- Reflections on the Last Years: Autore Palisca, Claude V.

Curatore ; Burkholder, J. Palisca Nota generica Spiral-bound. Vocal and instrumental music. A history of western music, 8th ed. Nota di contenuto V.

Ancient to Baroque - v. Classic to Romantic - v. Twentieth century Sommario o abstract This comprehensive collection of scores illustrates every significant trend and genre of Western music from antiquity to modern times. Fonte editoriale Allegati copertina. Identificativo Natura monografie Tipo registrazione partiture musicali a stampa Titolo Orchestral excerpts from the symphonic repertoire: International music company Pubblicazione Descrizione fisica v.

International music company Pubblicazione [] Descrizione fisica 10 v. International music company Pubblicazione [] Descrizione fisica v. Orchestral studies from the symphonic repertoire for trumpet. Identificativo Natura monografie Tipo registrazione materiale a stampa Titolo Orchestration: Routledge Pubblicazione copyright Descrizione fisica p. The early nineteenth century: French and German orchestration I -- Interlude: French and German orchestration II -- The early twentieth century: Klangfarbenmelodie and texture -- Later twentieth-century innovations Sommario o abstract Sezione 1.

Hal Leonard Pubblicazione copyright Descrizione fisica p. Edizione in chiave di violino. Nota di contenuto Features tunes that have been re-arranged and re-transcribed, as well as music by some of the significant songwriters.

European pocket edition Editore Milwaukee: Nota di contenuto Hal Leonard proudly presents new "mini" editions of its bestselling Real Books. Edizione in chiave di basso. This volume is for bass clef instruments. Identificativo Natura monografie Tipo registrazione materiale a stampa Titolo The Real little ultimate fake book: Eb Edition Editore Milwaukee: Melody lines with chord symbols. For piano, organ, guitar and all 'C' instruments. Includes classified, composer-lyricist, and melodic indexes.

High Voice Editore Milwaukee: Hal Leonard Descrizione fisica 2 v. Contiene la linea vocale, con l'indicazione degli accordi per l'accompagnamemto e i testi, di ca. Nearly essential songs compiled especially for singers.

Fonte editoriale Allegati Copertina ; Copertina 1. Identificativo Natura periodici Tipo registrazione materiale a stampa Titolo Research studies in music education Editore Los Angeles: Sage Publications Pubblicazione Descrizione fisica v. Sage Publications Pubblicazione data seriale corrente Area della numerazione vol.

Identificativo Natura monografie Tipo registrazione partiture musicali a stampa Titolo 3: Maple Leaf Rag, piano rag A. Nuages, from Trois Nocturnes 1. New York Philharmonic; Pierre Boulez, conductor Prelude in G Minor, Op. Sergei Rachmaninov, piano Vers la flamme, poem for piano 1. Un peu vif 1. Aldo Ciccolini, piano Minuet and Trio Peter Hill, piano Act III, scene 3 1. Ulster Orchestra; Takuo Yuasa, conductor The Rite of Spring, excerpts A. Danse des adolescentes B.

Conclusion of Part II: Symphony of Psalms, first movement 1. Kornél Zempléni, piano Music for Strings, Percussion and Celesta, third movement 1. General William Booth Enters into Heaven, song 1. William Sharp, baritone; Stephen Blier, piano I Got Rhythm, from Girl Crazy 1.

Ethel Merman, alto Back Water Blues, song 1. Bessie Smith, vocal; James P. Louis Armstrong and His Hot Five: La Création du Monde, Op. Symphony Mathis der Maler, second movement, Grablegung 1. Alexander Nevsky, cantata, fourth movement: Arise, Ye Russian People 1. Concertgebouw Orchestra; Bernard Haitink, conductor Tuscany - Siena Ref Stunning historic estate for sale in Tuscany just a short distance from Siena featuring a main villa with annexes of m2 and roughly hectares of land.

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